OK, I just figured it out and I feel sheepishly stupid. The solution is close to my guess on the last post. In case it helps someone else I’ll eat some crow, bare my foibles and explain what happened…
I started completely from scratch, as if I was just starting to use Cantabile. I did a step by step analysis, checking every single function, routing, or setting I could think of. I even pulled the 2i4 and tested that on another computer, because for a while there I was thinking it had to be that. And here’s what I just learned… when you bypass or mute or suspend a plugin (when it’s the only plugin in the rack), in fact C2 does default to the Dry signal, with no way to mute it. By the same token, if you have a rack without any plugins, the same thing occurs. (At least that’s how mine’s working.)
But if the plugin is enabled, then the Dry slider works fine (as it should). So each time I muted the plugin, I’d hear the dry, and came to the mistaken conclusion that the dry was also there when the plug was enabled too. I didn’t know that C2 would default and re-route to 100% dry. (
In my defense that’s somewhat unusual DAW or hardware behavior… usually when you mute the only/last item in the signal path, it stays muted! And when a plug is muted, automatically re-routing a signal path that hasn’t been selected by the user is sort of funky, IMHO). I’d always been trained to use mutes when troubleshooting to eliminate any other possible errors in faders or signal routing with sends, etc… and I’ve worked with some of the best engineers in the business.
So I moved the dry slider with SG enabled, and instantly realized that the “dry” I was hearing before was not really the dry… the dry signal faded in an out with the fader as it should. Hmmm. That’s odd, then why does it sound like a dry signal (my main issue was I was hearing string/pick plucks that were most prominent in dry). I then instantly realized I’d raised my pickups a few weeks earlier, played a bunch of driven/lead and crunch patches, and finished the setup. Then when I went to super clean tones the other day, what I was REALLY hearing was the difference in pickup height.
You’d think after 20 years working with DAWs, Sonar, Garageband, VSTHost, Studio One, every major mixer brand and a million other pro audio hardware and software, and 30 years in pro audio, I’d avoid an issue like this one. Well, at least I learned something. I’m not knocking Cantabile, but this isn’t the first time I’ve come across relatively unusual software architecture that isn’t documented in the C2 manual (at least I couldn’t find anything on this). On the other hand, it’s a very complex subject so that’s going to happen. Regardless, for the $ it’s a pretty darn good program.
Thanks for your help!